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Hence, the gray blob.īut a RAW file is totally different. If a group of pixels in the shadow of your image is totally black, no amount of adjustment is going to bring details back because GIMP and Photoshop don’t know anything about that group of pixels other than they started black and you want to make them a lighter color. If you’ve ever tried to brighten super dark shadows in a photo to bring back detail and you end up with an indistinct blob of gray, you know what I mean. But that can only take you so far, especially when you’re dealing with problems like under or over exposure. Sure, you can use something like GIMP or Photoshop to adjust the pixels in your JPEG. It doesn’t contain any information about the light hitting the sensor. When your camera records a JPEG photo, all of the settings in your camera that interpret how the light should be transformed into pixels are locked into that JPEG because the JPEG is just the collection of pixels the camera decids on. You give it information by telling the camera what kind of light you’re taking the picture in (or you let the camera guess the light by setting the white balance to “auto”), and the camera does its best to make white pixels white and not orange or blue. Here’s an example: The white balance of a picture isn’t a matter of a physical transformation of light, but the way the camera interprets the light and decides what color to render pixels in the photo based on that interpretation. Those physical limits are set in stone as soon as you snap the photo.īut, there are a lot of ways in which your camera interprets the light that hits its sensor that aren’t a matter of physical limitations. The shutter speed also limits the amount of light hitting the sensor, and effects whether moving objects blur across the scene as they change position, or are crisply frozen in time. The size of the lens’ aperture limits the amount of light that hits the sensor and how much of the scene can be in focus. In some ways, the camera physically limits or transforms that light. When your digital camera takes a picture, it’s really just recording the light that hits its sensor.
#Can gimp convert raw to jpeg free how to#
How to install RAW converters for Mac OSX and Windows.Can GIMP handle RAW photos? How GIMP users can take advantage of RAW.
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Skip to the sections you’re interested using these links, or read the whole post to take it all in. Hi! This post was written as extra info for folks reading my book, How to GIMP so It’s got a lot of extra information about what RAW files are and why you would want to use them.īut if you’re landing here from a search and you just want to know how to work with RAW files as a GIMP user, this post will be helpful for you too. This photo was very underexposed, but because I shoot RAW, I was able to bring it back to life.
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